James Boaden, ‘San Francisco : Ruin of the Nineteenth Century : The Assemblage Work of Bruce Conner 1957-1962
Susan Buck-Morss, ‘Visual Studies and Global Imagination ’
Roger Cardinal, ‘Giorgio de Chirico and Surrealist Mythology’
Katharine Conley, ‘Claude Cahun’s Iconic Heads: from the “Sadistic Judith” to Human Frontier’
Anna Dezeuze, ‘Unpacking Cornell: Play and Consumption in the work of Rauschenberg, Warhol and George Brecht’
Steven Harris, ‘The art of losing oneself without getting lost: Brecht and Filliou at the Palais ideal’
Mathew Witkovsky, ‘Surrealism in the Plural: Guillaume Apollinaire, Ivan Goll and Devetsil in the 1920s’
Robert Desnos, Fantomas (translated by Timothy Adès)
Australian Surrealism: The Agapitos/Wilson Collection, Art Gallery of South Australia, Adelaide (Janine Burke)
Cy Twombly: Fifty Years of Works on Paper, Serpentine Gallery, London (Anna Lovatt)
Mike Nelson: Triple Bluff Canyon, Museum of Modern Art, Oxford (Rebecca Duclos)
Robert Filliou, Génie sans Talent, Musée d’Art moderne Lille Metropole, Villeneuve d’Ascq, France (Anna Dezeuze)
With Hidden Noise Henry Moore Institute, Leeds (Gavin Parkinson)
Roger Caillois, The Edge of Surrealism: A Roger Caillois Reader (Donna Roberts)
Branden Joseph, Random Order: Robert Rauschenberg and the Neo Avant-garde (David Jeffreys)
Ray Spiteri and Don LaCoss eds, Surrealism and Politics (Neil Matheson)
Georges Sebbag, André Breton: L’Amour Folie (Marie-Claire Barnet)