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James Boaden, ‘San Francisco : Ruin of the Nineteenth Century : The Assemblage Work of Bruce Conner 1957-1962
Susan Buck-Morss, ‘Visual Studies and Globalisation’
Roger Cardinal, ‘Georgio de Chirico and Surrealist Mythology’
Katherine Conley, ‘Claude Cahun’s Iconic Heads: from the “Sadistic Judith” to Human Frontier’
Anna Dezeuze, ‘Unpacking Cornell: Play and Consumption in the work of Rauschenberg, Warhol and George Brecht’
Steven Harris, ‘The art of losing oneself without getting lost: Brecht and Filliou at the Palais ideal’
Mathew Witkovsky, ‘Surrealism in the Plural: Guillaume Apollinaire, Ivan Goll and Devetsil in the 1920s’
Georges Sebbag, André Breton: L’Amour Folie (Marie-Claire Barnet)
Branden Joseph, Random Order: Robert Rauschenberg and the Neo Avant-garde (David Jeffreys)
Ray Spiteri and Don LaCoss eds, Surrealism and Politics (Neil Matheson)
Roger Caillois, The Edge of Surrealism: A Roger Caillois Reader (Donna Roberts)
Australian Surrealism: The Agapitos/Wilson Collection, Art Gallery of South Australia, Adelaide (Janine Burke)
Robert Filliou, Génie sans Talent, Musée d’Art moderne Lille Metropole, Villeneuve d’Ascq, France (Anna Dezeuze)
Mike Nelson: Triple Bluff Canyon, Museum of Modern Art, Oxford (Rebecca Duclos)
Cy Twombly: Fifty Years of Works on Paper, Serpentine Gallery, London (Anna Lovatt)
With Hidden Noise, Henry Moore Institute, Leeds (Gavin Parkinson)