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Neil Spiller 'Deformography: the poetics of cybridised architecture'
Mark Dion in conversation with Anna Dezeuze, Julia Kelly and David Lomas
Richard Wentworth in conversation with Anna Dezeuze
George Brecht: A Heterospective, Ludwig Museum, Cologne, 2005-2006 (Anna Dezeuze)
An Aside: Selected by Tacita Dean, Camden Arts Centre, 2005 (Samantha Lackey)
Lucy Bradnock, 'Lost in translation? Nancy Spero / Antonin Artaud / Jacques Derrida'
Krzysztof Fijalkowski, 'Invention, Imagination, Interpretation: Collective Activity in the Contemporary Czech and Slovak Surrealist Group'
Bruno Solarik, 'The Walking Abyss: Perspectives on Contemporary Czech and Slovak Surrealism'
Laura Ford interviewed by David Lomas, followed by David Lomas, 'The Great Outdoors'
Flesh at War with Enigma, Kunsthalle Basel, 2004 (Amna Malik)
Francis Alys: Walking Distance from the Studio, Kunstmuseum Wolfsburg, 2004 (Stephen Feeke)
Helen Chadwick, Manchester Art Gallery, 2004 (Aris Sarafianos)
Pin-Up: Contemporary Collage and Drawing,Tate Modern, London, 2004 (Cliff Lauson)
The Uncanny by Mike Kelley (Margaret Iversen)
James Boaden, ‘San Francisco : Ruin of the Nineteenth Century : The Assemblage Work of Bruce Conner 1957-1962
Anna Dezeuze, ‘Unpacking Cornell: Play and Consumption in the work of Rauschenberg, Warhol and George Brecht’
Robert Filliou, Génie sans Talent, Musée d’Art moderne Lille Metropole, Villeneuve d’Ascq, France (Anna Dezeuze)
Mike Nelson: Triple BluffCanyon, Museum of Modern Art, Oxford (Rebecca Duclos)
Steven Harris, ‘The art of losing oneself without getting lost: Brecht and Filliou at the Palais ideal’
Branden Joseph, Random Order: Robert Rauschenberg and the Neo Avant-garde (David Jeffreys)
Cy Twombly: Fifty Years of Works on Paper, Serpentine Gallery, London (Anna Lovatt)
With Hidden Noise Henry Moore Institute, Leeds (Gavin Parkinson)
Roger Caillois, The Edge of Surrealism: A Roger Caillois Reader (Donna Roberts)
David Cunningham, 'A Question of Tomorrow : Blanchot, Surrealism and the Time of the Fragment'
Susan Laxton, 'The Guarantor of Chance: Surrealism's Ludic Practices'
Kirsten Strom, 'Resurrecting the Stylite Simon : Buñuel's Surrealist History of Film'
Jake Chapman on Bataille : an Interview with Simon Baker
Jeannette Baxter ‘Ballard and Surrealism’
Joseph Cory ‘Realizing the Endless: the work of Juergen Mayer H. and the legacy of Frederick Kiesler’
Steven Harris Rodney Graham
Michael Stone-Richards 'Lost in translation: A note of the titles of Blanchot's work in relation to Breton'
'André Breton,' prose-poems on the death of Breton by Jean-Luc Nancy (translated by Michael-Stone Richards)
Drawing the Line: a Round Table on Rebecca Horn
Susan Hiller in conversation with Roger Malbert
Mignon Nixon, Fantastic Reality: Louise Bourgeois and a Story of Modern Art, Alison Rowley
Martin Puchner, Poetry of the Revolution: Marx, Manifestos and the Avant-Gardes, Gavin Grindon
Ken Friedman and Owen Smith, Visible Language, vols. 39 and 40 (special Fluxus issues), Anna Dezeuze
Dada’s Boys, Fruitmarket, Edinburgh, Debbie Lewer
John Stezaker, Norwich Gallery, Krzysztof Fijalkowski
A Secret Service: Art, Compulsion, Concealment, Hatton Gallery, Newcastle, Clare O’Dowd
Enigma Variations: Philip Guston and Giorgio de Chirico, Santa Monica Museum of Art, Ara H. Merjian
Laura Ford interviewed by David Lomas, followed by David Lomas, 'The Great Outdoors'
Francis Alÿs: Walking Distance from the Studio, Kunstmuseum Wolfsburg, 2004 (Stephen Feeke
Robert Desnos, Fantomas (translated by Timothy Adès)
Anna Dezeuze, ‘Unpacking Cornell: Play and Consumption in the work of Rauschenberg, Warhol and George Brecht’
Robert Filliou, Génie sans Talent, Musée d’Art moderne Lille Metropole, Villeneuve d’Ascq, France (Anna Dezeuze)
Steven Harris, ‘The art of losing oneself without getting lost: Brecht and Filliou at the Palais ideal’
With Hidden Noise Henry Moore Institute, Leeds (Gavin Parkinson)
Susan Laxton, 'The Guarantor of Chance: Surrealism's Ludic Practices'
Susan Suleiman, 'Surrealist Black Humour: Masculine/Feminine'
Dada’s Boys, Fruitmarket, Edinburgh, Debbie Lewer
Freud’s Sculpture, Henry Moore Institute, Leeds, Michael Calderbank
The Art of Enigma: The De Chirico Brothers and the Politics of Modernism by Keala Jewell (Anthony White)
Magritte et la photographie, Palais des Beaux-Arts, Brussels, 2005 (Patricia Allmer)
Drifting Objects of Dreams: The Collection of Shuzo Takiguchi, Setagaya Art Museum, Tokyo, 2005 (Michael Richardson)
Terri Geis 'The voyaging reality: Maria Izquierdo and Antonin Artaud, Mexico and Paris'
Lenka Bydzovská, 'Against the Current: The Story of the Surrealist Group of Czechoslovakia'
Krzysztof Fijalkowski, 'Invention, Imagination, Interpretation: Collective Activity in the Contemporary Czech and Slovak Surrealist Group'
Vojtech Lahoda, 'Chaos, Mess and Uncertainty: Josef Sudek and Surrealism'
Silvano Levy, 'The Del Renzio Affair: A Leadership Struggle in Wartime Surrealism'
Bruno Solarik, 'The Walking Abyss: Perspectives on Contemporary Czech and Slovak Surrealism'
Alfred Thomas, 'Between Paris and Moscow: Sexuality and Politics in Interwar Czech Poetry and Film'
Ghost Ships by Robert McNab (Julia Kelly)
Paul Nash , Tate Liverpool, 2003 (Andrew Causey)
Australian Surrealism: The Agapitos/Wilson Collection, Art Gallery of South Australia, Adelaide (Janine Burke)
Mathew Witkovsky, ‘Surrealism in the Plural: Guillaume Apollinaire, Ivan Goll and Devetsil in the 1920s’
Peter Jones ‘Notes on British Surrealism at Southampton City Art Gallery’
Leonora Carrington Jonathan Eburne
Magritte et la photographie, Palais des Beaux-Arts, Brussels, 2005 (Patricia Allmer)
An Aside: Selected by Tacita Dean, Camden Arts Centre, 2005 (Samantha Lackey)
Vojtech Lahoda, 'Chaos, Mess and Uncertainty: Josef Sudek and Surrealism'
Alfred Thomas, 'Between Paris and Moscow: Sexuality and Politics in Interwar Czech Poetry and Film'
Ian Walker, 'Between Photograph and Poem: a Study of Styrsky and Heisler’s On the Needles of these Days'
Photography and Surrealism: Sexuality, Colonialism and Social Dissent by David Bate (Samantha Lackey)
Susan Buck-Morss, ‘Visual Studies and Global Imagination’
Katherine Conley, ‘Claude Cahun’s Iconic Heads: from the “Sadistic Judith” to Human Frontier’
Kirsten Strom, 'Resurrecting the Stylite Simon : Buñuel's Surrealist History of Film'
City Gorged With Dreams by Ian Walker (Dana MacFarlane)
Steven Harris Rodney Graham
Susan Hiller in conversation with Roger Malbert
John Stezaker, Norwich Gallery, Krzysztof Fijalkowski
The Art of Enigma: The De Chirico Brothers and the Politics of Modernism by Keala Jewell (Anthony White)
Mélancolie, génie et folie en Occident, Grand Palais, Paris, 2005-2006 (Aris Sarafianos)
Alfred Thomas'Between Paris and Moscow: Sexuality and Politics in Interwar Czech Poetry and Film'
Helen Chadwick, Manchester Art Gallery, 2004 (Aris Sarafianos)
Photography and Surrealism: Sexuality, Colonialism and Social Dissent by David Bate (Samantha Lackey)
Prosthetic Gods by Hal Foster (David Hopkins)
Susan Suleiman, 'Surrealist Black Humour: Masculine/Feminine'
Katherine Conley, 'Claude Cahun's Iconic Heads: from the "Sadistic Judith" to Human Frontier'
Drawing the Line: a Round Table on Rebecca Horn
Hans Bellmer, Pierre Klossowski and the Vicious Circle, Whitechapel Art Gallery, London, Tamara Trodd
Mignon Nixon, Fantastic Reality: Louise Bourgeois and a Story of Modern Art, Alison Rowley
Dada’s Boys, Fruitmarket, Edinburgh, Debbie Lewer
Antonin Artaud, Bibliothèque nationale de France, Paris, Lucy Bradnock
Cornelius Borck 'Sound work and visionary prosthetics: artistic experiments in Raoul Hausmann'
David Lomas '"Painting is dead - long live painting!" Notes on Dalí and Leonardo'
Astrid Ruffa 'Dalí's surrealist activities and the model of scientific experimentation'
Mélancolie, génie et folie en Occident, Grand Palais, Paris, 2005-2006 (Aris Sarafianos)
Simone Perks, 'Fatum and Fortuna: André Masson, Surrealism and the Divinatory Arts'
Eyes, Lies and Illusions, Hayward Gallery, London, 2004 (Marion Endt)
Le Troisième oeil. La photographie et l'occulte, Maison européenne de la photographie, Paris, 2004 (Jeremy Stubbs)
Susan Hiller in conversation with Roger Malbert
Leonora Carrington monograph- Jonathan Eburne
Celia Rabinovitch, Surrealism and the Sacred. Power, Eros and the Occult in Modern Art, Urszula Szulakowska
Susan Buck-Morss, ‘Visual Studies and Global Imagination’
Michael Calderbank, 'Surrealism Dreamscapes : Walter Benjamin and the Arcades'
Louis Aragon, A Wave of Dreams (1924), translated by Susan de Muth
City Gorged With Dreams by Ian Walker (Dana MacFarlane)
Trajectoires du rêve , Pavilion des Arts, Paris, 2003 ( Krzysztof Fija?kowski)
Surrealist Art and Thought in the 1930s by Steven Harris (Natalie Adamson)
Surrealism by Mary Ann Caws and Dada and Surrealism: A Very Short Introduction by David Hopkins (Vincent Gille)
Roger Cardinal, ‘Giorgio de Chirico and Surrealist Mythology’
Mathew Witkovsky, ‘Surrealism in the Plural: Guillaume Apollinaire, Ivan Goll and Devetsil in the 1920s’
Roger Caillois, The Edge of Surrealism: A Roger Caillois Reader (Donna Roberts)
Ray Spiteri and Don LaCoss eds, Surrealism and Politics (Neil Matheson)
Georges Sebbag, André Breton: L’Amour Folie (Marie-Claire Barnet)
Patricia Allmer ‘Magritte and Forgery’
Peter Jones ‘Notes on British Surrealism at Southampton City Art Gallery’
Elsa Adamowicz, Ceci n'est pas un tableau: les écrits surréalistes sur l'art, Linda Goddard
Martin Puchner, Poetry of the Revolution: Marx, Manifestos and the Avant-Gardes, Gavin Grindon
Richard Wentworth in conversation with Anna Dezeuze
George Brecht: A Heterospective, Ludwig Museum, Cologne, 2005-2006 (Anna Dezeuze)
James Boaden, ‘San Francisco : Ruin of the Nineteenth Century : The Assemblage Work of Bruce Conner 1957-1962
Anna Dezeuze, ‘Unpacking Cornell: Play and Consumption in the work of Rauschenberg, Warhol and George Brecht’
Steven Harris, ‘The art of losing oneself without getting lost: Brecht and Filliou at the Palais ideal’
Robert Filliou, Génie sans Talent, Musée d’Art moderne Lille Metropole, Villeneuve d’Ascq, France (Anna Dezeuze)
Branden Joseph, Random Order: Robert Rauschenberg and the Neo Avant-garde (David Jeffreys)
Drawing the Line: a Round Table on Rebecca Horn
A Secret Service: Art, Compulsion, Concealment, Hatton Gallery, Newcastle, Clare O’Dowd
Hans Bellmer, Pierre Klossowski and the Vicious Circle, Whitechapel Art Gallery, London, Tamara Trodd
Freud’s Sculpture, Henry Moore Institute, Leeds, Michael Calderbank